Similar context phrases
Translation examples
Sabes, todo comienza con una tónica, una subdominante, volver a la tónica, dominante, subdominante, tónica.
You know, it all starts with a tonic, to a subdominant, back to the tonic, dominant, subdominant, tonic.
Las verticales y las horizontales están todas melladas lo que indicaría que estuvo escribiendo con su mano subdominante.
The verticals and the horizontals are all jagged... which would indicate that he's been writing with his subdominant hand.
Tal como afirma Robert Winter: los «trazos de la aventura más seria de Beethoven con las subdominantes se muestran virtualmente en cada fase del cuarteto».
As Robert Winter puts it: “the traces of Beethoven’s most serious affair with the subdominant have left their impact on virtually every phase of the quartet.”
Williams trabaja con el apoyo armónico más simple posible, y el oyente busca en vano la tónica, la dominante y la subdominante que se supone que se distinguen con claridad en el blues.
Williams relies on the simplest harmonic support, and the listener searches in vain for the clearly distinguished tonic, dominant, and subdominant structures that supposedly define the blues form.
El boogie de Hooker sonaba bluesero, sin ninguna duda, pero carecía de la estructura formal del blues, del cambio al acorde subdominante, de la repetición al cabo de doce compases, de una letra organizada según la forma A-A-B, del sonido de la guitarra tocada con un cuello de botella.
Hooker’s boogie sounded bluesy, no mistake about it, but there was no formal blues structure, no shift to the subdominant chord, no twelve-bar repetitions, no A–A–B lyrics, no bottleneck sounds.
Sí, en ocasiones se digna a insinuar un acorde subdominante o dominante, pero en sus manos éstas son florituras innecesarias. Un simple acorde de tónica, combinado con su intenso y embriagador ritmo, es completamente suficiente para sacar la música adelante de una manera ejemplar.
Yes, he sometimes deigns to hint at a subdominant or dominant chord, but in his hands, these are unnecessary frills: a simple tonic, laced with the intoxicating gin of his intense groove, is perfectly sufficient to drive the music onward in an exemplary fashion.
El término «blues» se emplea a menudo en lengua inglesa para designar cualquier canción que exprese una tristeza o congoja: esta acepción, sin embargo, es musicalmente impropia. Para un músico de hoy, el término blues remite a una forma precisa en segmentos de doce compases basada sobre todo en armonías de tónica, dominante y subdominante.
The term blues—often misused to refer to any sad or mournful tune—is more properly linked, as we see in Handy’s composition, to a precise structure that has come to be known as blues form. This repeating twelve-bar pattern is typically built on three chords—tonic, dominant, and subdominant—and would later serve as the foundation for countless jazz and popular songs, as well as take on a second life in the 1950s as a widely used recipe for rock-and-roll and R&B music.
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