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Cornélius poseía su propia lógica, una lógica tan misteriosa como la del padre de Hans.
Cornelius had his own logic, a logic as mysterious as that of Hans' father.
Lógica contra lógica, desmembramiento del hombre contra el de la Naturaleza: eso era lo que causaba todo el llanto del mundo.
Logic against logic, man’s pitted against Nature’s: that was what caused all the tears of the world.
—Suena lógico, suena lógico —dijo, imitando la voz grave de su padre.
“Sound logic, sound logic,” he said, mimicking his father’s deep voice.
Andreas en el papel de padre: era una idea loca, pero tenía cierta lógica, la lógica de la repugnancia;
Andreas as her dad: the thought was crazy but had a certain logic, the logic of ick, the logic of guilt.
Las novelas no se hacen con lógica aunque deben seguir su propia lógica, una lógica alimentada por la emoción.
Fictions are not made by logic, although they must follow their own logic, a logic fueled by emotion.
dado que las variaciones sólo conciernen a los contenidos del pensamiento, a las penetraciones cognoscitivas de la esencia del mundo, en el mejor de los casos es una cuestión que pertenecerá a la teoría del conocimiento y nunca jamás a la lógica. La lógica permanece «sin estilo», como las matemáticas.
all that changes being the content of its propositions, their interpretation of the nature of the world; so that the question of style is at most an epistemological question and can never be a logical one. Logic, like mathematics, is devoid of style.
El concepto «estilo arquitectónico» es pura lógica, una lógica que penetra el conjunto de la obra construida, que abarca desde los planos hasta el alzado y, dentro de esta lógica, lo ornamental es lo último, la expresión diferencial, en lo pequeño, de la idea básica, única y unificada, del conjunto.
Style in architecture is logic, a logic that governs the whole building from the plan of its foundation to its skyline, and within that logical system the ornament is only the last, the most differentiated expression on a small scale of the unified and unifying conception of the whole. Whether it is an inability to use ornament or a renunciation of it makes no difference;
por lo que la Academia Sueca ha descrito en su original anuncio del galardón como «el reconocimiento a casi un siglo de disquisiciones épicas y agudas sobre la filosofía de la lógica, la lógica de los juegos, el ingenio de la ficción y la prehistoria, unos primeros trabajos que allanaron el camino para una serie de meditaciones especulativas sobre “el entuerto insoluble”
for what the Swedish Academy described in its original announcement of the award as "recognition of a near century of epic, piquant disquisitions on the philosophy of logic, the logic of games, the gamesmanship of fiction and prehistory, these early efforts preparing the way for speculative meditations on 'the unsolvable knot' of science and mysticism, which in turn led to his famous 'afterthoughts' on the ethereally select realms of abstract mathematics and the more palpable subheights of history and biography, every published work of this humanist and polymath reflective of an incessant concern for man's standing in the biosphere and hand-blocked in a style best characterized as undiscourageably diffuse."
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